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Funny that Baum would repeat that element in two stories. It does feel very fairy tale-ish, though. Me too. If you notice, a large portion of the plot of this one involves the Nome King as a sort of maker of machine parts. Oh, how interesting to see that influence of other versions of Oz coming back into the books again. Yeah, I had a suspicion about that.

Baum liberally adapted the entire plot of this story from Act II of his play. Quelle surprise. Afterwards, the Shaggy Man thinks Tik-Tok has come back to haunt him as a ghost. This blog is full of ginger! And it is a shame to make a suggestion, but we are fearful that the use of the word murder and the term ghost will be considered a grave departure from the regular way of L. Frank Baum and his fairy stories. What Oz books have they been reading? The colors, in particular, have been altered. Tiny little differences like that affect the overall attractiveness of the stories, at least for me.

I really like that first, collected edition. The little story headers are in dark blue, too.

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Aesthetically, I find it very pleasant to look at, even if the pictures are sometimes organized in a way that poorly matches the flow of the story. I love the large print. I quite like the gaudiness of these colors sometimes, where it works, like in the Jack Pumpkinhead pictures. You know, the thing that I find interesting about these stories, inasmuch as I find anything interesting about them, is the focus on the Wizard.

Is it just because the original book is called The Wizard of Oz? More so the play, I think. I admit — I skipped them! I agree with that — the Queer Visitors stories are quite charming, but in a very specific way.

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Personally, I find that they need to be surrounded by pictures, as was intended. Here, thanks to Wikipedia, is a full-page example of one of the original strips. The illustrations count for a lot because the stories are almost at the level of having been written on the back of a napkin. Very odd. More than anything, I like the idea of Queer Visitors — which is to say, I love the idea that Ozma sends all her friends in the Gump as official ambassadors to our world, and they go on a whistle-stop tour of the United States, stopping by Mars and Jupiter along the way, and they have all sorts of adventures and eventually meet Santa Claus.

There is some great imagery, too.

I really love the idea of the Tin Woodman being turned into a giant magnet, and that the Scarecrow can just magick up a car. The whole strip is a really fun idea. Staying on McDougall, I really liked his work, actually. I could really see McDougall doing wacky illustrations for the Oz novels, and you know, that working kind of nicely. You can visualize him doing something like Dorothy and the Wizard in Oz as a cross between Little Nemo in Slumberland and Raggedy Ann and Andy, with all of the violence in it made absurd and romantic.

Again, that would have been the popular conception of Dorothy at the time, so it makes sense — rather like how any depiction of Dorothy today looks more or less like Judy Garland, even without specific likeness rights. The Woggle-Bug looks like an actual insect, as well. I really liked the version illustrated by Dick Martin, too. That was really warm and rich and nicely rewritten by Jean Kellogg.

http://dom1.kh.ua/images/tmoignage/1112-site-rencontre-coren.php I loved it when I was a kid. I used to take it out from my library and just obsessively go through the pages over and over again. Hill Company in Chicago on May 17, It has since seen several reprints, most often under the title The Wizard of Oz , which is the title of the popular Broadway musical adaptation as well as the iconic musical film adaptation. The Buckethead Edition was a reprint under a new cover of an earlier edition, and Dulabone was not aware at the time that it was censored.

Hungry Tiger Press corrected the censoring from the Buckethead edition but used The Visitors from Oz as the title, like the adaptation. Hungry Tiger Press is an American specialty publisher of books, compact discs, comic books and graphic novels, focused on the works of L. Frank Baum, other authors of Oz books, and related Americana. Hungry Tiger has also published rare, early, long-neglected dramatic and musical adaptations of the Oz works, featuring music by Louis F.

Gottschalk, Paul Tietjens, and other composers of the early twentieth century. In June, , Sunday Press Books released a collected edition of the newspaper strips in their original format and coloring. The book also included W. Denslow, and John R. John Rea Neill was a magazine and children's book illustrator primarily known for illustrating more than forty stories set in the Land of Oz, including L.

Frank Baum's, Ruth Plumly Thompson's, and three of his own. His pen-and-ink drawings have become identified almost exclusively with the Oz series. He did a great deal of magazine and newspaper illustration work which is not as well known today. Frank Baum's Land of Oz books.


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It was originally published on July 10, and documents the adventures of Dorothy Gale's fourth visit to the Land of Oz. Frank Baum and was originally published on May 13, The Tin Woodman is reunited with his Munchkin sweetheart Nimmie Amee from the days when he was flesh and blood. This was a back-story from The Wonderful Wizard of Oz. Frank Baum. He first appears in the book The Marvelous Land of Oz in He goes by the name H. Woggle-Bug, T. In later books the hyphen was sometimes dropped: "Wogglebug". Frank Baum, which was originally published in Much of the original music was by Paul Tietjens and has been mostly forgotten, although it was still well-remembered and in discussion at MGM in when the classic film version of the story was made.

Other books for children followed the original Oz book, and Baum continued to produce the popular Oz books until his death in The series was so popular that after Baum's death and by special arrangement, Oz books continued to be written for the series by other authors.

Glinda of Oz, the last Oz book that Baum wrote, was published in Denslow was a prolific illustrator, cartoonist, and caricaturist, best remembered for his work in collaboration with author L. An editorial cartoonist with a strong interest in politics, Denslow also illustrated his own books including Denslow's Mother Goose , Denslow's Night Before Christmas and the volume Denslow's Picture Books series However, he drank his money away, and he died in obscurity, of pneumonia. Denslow, and Many Other Comic Delights.